A few years ago, my Grandfather, "Grandpa Bob," passed away, taking with him a wealth of stories from his days of riding motorcycles across the US and Mexico from the 60s-80s. He
Not far from my old studio in Rancho Cucamonga is a place that was once known as Fontana Drag City and remains among the suburban housing tracks. So, I decided to take
by Michael Satterfield It was May 1973, when photographer Marc St. Gil pulled into the small town of Leakey, Texas, armed only with a camera and a directive from the Federal Government. Leakey
by Michael Satterfield The 1960s and 70s were a special time in the automotive world, from the wacky home-built kit cars to factory-backed oddities like this CJ5 Jeep camper, American car consumers had
By Michael Satterfield It was the opening round of the F.I.A. World Sportscar Championship for 1961, 40,000 spectators gathered to watch Phil Hill race his Ferrari 250 TRI/61 against Stirling Moss in
by Michael Satterfield In the Summer of 1972 photographer, Danny Lyon traveled to El Paso Texas to photograph the Spanish-Speaking Section of the city, the Second Ward. These images were taken as
by Michael Satterfield The pilot flying one of Mabel Cody’s planes above “Sig” Haugdahl, in his Frontenac automobile on Daytona Beach. Stuntman Louis “Bugs” McGowan later transferred from the car to the
by Michael Satterfield Route 66 is one of the most iconic roads in the world, as it makes it’s way from Chicago to Los Angeles it crosses 8 States, including Texas. While
by Michael Satterfield – 02/06/2018 The Tramway Gas Station, a former Enco service station, in Palm Springs, California, is located at the corner of Tramway Road and California State Route 111. The building, erected in
Rome: City and Empire bring to Nashville more than 200 of the British Museum’s most engaging and beautiful Roman objects to tell the dramatic story of how Rome grew from a cluster of small villages into a
by Michael Satterfield – 12/07/2017 Recently I discovered a set of photos from 1954 the La Carrera Panamericana taken by Ina Mae Overman and Stanley Dean Miller, the best part is that they