Where Cars Meet Culture
Feb 12, 2025
Subscribe Button
·

Seeking Salvation with Anemone Jones

by
6 years ago
1 min read

Model: Anemone Jones
Location: Salvation Mountain
Photographer: Mike Satterfield
Clothing: Original Cowgirl, Vintage, Anthropology 

Out past the edge of the Salton Sea, guarding the entrance to Slab City sits Salvation Mountain. One man’s mission to share his faith and art with the world, and an attraction that draws visitors from around the world. In addition to his man-made mountain, tunnels, and caves, Leonard Knight (1931–2014)  decorated cars, trucks, and even an old Airstream. Exploring the site with model and actress Anemone Jones was a great way to spend an afternoon. If you want to plan your own visit click here for a map.

Post Views: 72

Tags

Related Posts

Michael Satterfield

Michael Satterfield is the founder of The Gentleman Racer, a leading automotive lifestyle site blending cars, travel, and culture. Known for its compelling storytelling and unique perspective, the site has become a go-to destination for car enthusiasts and style aficionados.

A Texan with a passion for classic cars and motorsports, Michael is also a hands-on restorer, currently working on a 1960s SCCA-spec Formula Super Vee and other project cars. As the head of the Satterfield Group, he consults on branding and marketing for top automotive and lifestyle brands, bringing his deep industry knowledge to every project.

Leave a Reply

Your email address will not be published.

Latest from Blog

Don't Miss

At first glance, Kate Cook’s artwork might seem like a paradox—a seamless blend of classic oil painting techniques with the high-octane world of automotive enamels. Her signature approach, which she calls "Artemotiv," merges the meticulous craftsmanship of fine art with the raw energy of hot rods and muscle cars. But spend a few minutes with Cook, and the paradox resolves itself into something more profound: an artist who has not only found her lane but paved it herself.

Asphalt Canvas: The Art, Grit, And Legacy Of Kate Cook

At first glance, Kate Cook’s artwork might seem like a paradox—a seamless
Rudolf von Alt (1812-1905) View of Budapest, 1881 Watercolour on paper, 343 × 565 mm Inv. no. 1933-2390 Transferred from the Imperial Collection, Vienna, 1932 © 2025 Museum of Fine Arts, Budapest

Guggenheim Bilbao Unveils Masterpieces On Paper: A Journey Through Time

Art is often confined to the grandiose—towering oil paintings, colossal sculptures, and